Week 15 in my yearlong sketchbook practice. The small scale of these was a good choice for me ( they are 4.5 inch squares). It has kept the task managagable – it feels reasonably do-able most of the time. But it has also made me crave something bigger in scale and more time to be thoughtful and time to experiment. I’m curious what that would feel like – curious and intimidated.
I’ve put together a little collection of things made from my patterns – I love seeing these – beautiful work and tons of imagination. Thanks for sharing your photos!
A dear lamb by Evie Barrow.
A fantastic boat by Alla (this boat is made from my free boat pattern).
The paper mache ships below are by Val – she used chalk paint – I love the pale, matte colors.
An owl family! So many wonderful details – they are by Mama with a Needle and Thread.
A magnificent paper mache ship by Kileen.
Week 14 in my yearlong sketchbook practice and a brief public service announcement:
In observance of Memorial Day I’m taking a break from the my blog routine and there will not be a Big Creative Year post. I hope if Monday is a holdiay for you it’s lovely,
onward,
ann
At any given moment I have a lot of things started. I bounce around working on something for a bit and then move to something else. It is rare for me to start something and stay with it without interruption until it is complete.
And even if something is nearly done there might be some small detail avoided in a moment when something else felt more urgent. More and more things end up in the land of almost done and lots of little details, like stitching fox paws, add up to a day or more of work that I’m not really factoring in. I’m nickel and diming myself to death in the time department.
For the last couple weeks, just to see what would happen, I’ve been picking one thing, one project or task and staying with it until it’s done. I check it off the list, clean up the mess and start the next thing. I started with low hanging fruit to get the ball rolling – little projects or orders that were just about done. The choice always feels uncomfortable, feels counter intuitive when so much needs to move forward and it’s hard to get all the other stuff out of my head and focus – but I settle down after a little while and I found lots of benefits to working this way:
* It busts right through unrealistic expectations and wishful thinking – I get a much better sense of how long things really take.
* Crossing stuff of the list feels good, finishing feels good – it puts energy back in the bank – loose ends are distracting and draining.
* It forces me to do some important things I avoid by burying myself in busyness – prioritizing, making choices and planning realistically.
* There is no ambiguity at the end of the day – progress or lack of it is very clear.
* Individual projects get more forward momentum – I’m less inclined to linger unnecessarily in choices and possibilities and I’m more inclined to work through problems efficiently since I can’t escape into another task, it creates a kind of resolve – it’s your birthday owl – today is the day, not tomorrow, not next week, today.
Week 13 in my yearlong sketchbook practice.
It’s odd, and interesting to me, what my brain churns up in these little daily exercises – this week’s themes seem to be domestic and dark.
I’m working on a bunch of things all at once that I hope I can show you finished next week. That’s the plan anyway – for the last ten days or so I’ve been working differently (p.s. still standing up) and it is having a magical effect…. I’ll tell you all about it on Monday. For now here’s a bit of what I’m working on:
A dastardly indigo fellow made from my most treasured pieces from Sri Threads. I love all the mending, the other hands and the layering and textures – so owly.
And ships and boats and little passengers – spring is always for building ships. I finished a large ship and owl and photographed them earlier this week – it’s been lingering here captainless and almost done for weeks. A note on photographing ships and boats – they move. They have sails so they twirl constantly – to help them be still for a sharp photo I tie a spool of thread to the stern and / or the bow and then use the spool to position them at the angle I want and anchor them – the thread is easy to get rid of in a photo editor like iphoto with the touch up tool.
Pattern notes if you would like to make your own ships:
The template and pattern for all the ships is here ( I sligtly altered the side template of the large ship for this one – it’s easy to do).
And the owl captain pattern is here.
Week 12 in my yearlong sketchbook practice. I usually listen to music ( I have middle aged lady solo dance parties all the time) or podcasts while I work but I’ve gotten into the habit of listening to a sound machine app when I do my sketchbook work. And always the same sound – wind in the pines. I find it peacefull and soothing in general and it helps me settle into sketchbook brain more quickly – it’s become an important part ot the ritual.
You may recall some months ago I was in a frenzy getting ready for a magazine shoot here. I am very, very pleased and excited to be included in Brutus Magazine’s New York Makers feature. Brutus is a Japanese culture magazine – it is always exquisite. It was shot by Yoko Takahashi and written by David G. Imber and Mika Yoshida – who made this happen for me – I’m truly grateful.
Seeing my Mother’s sewing machine in the feature made me think about what a long and interesting life it has had and how much she would have loved that. If you had known my Mother you would understand exactly where all those little birds came from. She collected fabric for me – before I knew I wanted it – and I saved many of her dresses and scrap bags and still sew from them ( she had excellent taste). In honor of Mother’s day I put together a little collection of some of things I have made over the last nine years or so from my Mother’s dresses.
I pursued a blue fox through the forest this past weekend (the Adirondack forest- it was a glorious weekend – the first real feeling of spring up there). I had a fabulous time – I got muddy and scratched and poked by sticks, was tormented by flies and wasps, and kneeled in enchanted poop but it was marvelous.
I have spent much of my creative life in pursuit of the land of make believe, the world on the other side of the looking glass, down the rabbit hole, through the wardrobe…. It has always been something that captures and delights my imagination. I know what’s real and what isn’t. I’m pragmatic, practical and not terribly sentimental but I have spent a great deal of time and energy and resources to create a world, largely for myself, where enchanted creatures appear in the forest, or a ship might float through my open window. I wonder if I’m wired that way, I wonder if it was things I was exposed to as a small person, I wonder why I find the intersection of real and pretend so compelling – especially where pretend inhabits the natural world or where real is recreated, represented – like a soundstage, theater, dollhouse or diorama. The fascination has not diminished as I’ve gotten older, it has held on to me and I’ve given it more space, more time, more thought and more intention.
My weekend with the blue fox left me wanting more and wondering what else might happen to an elusive and elegant blue fox in the dark and shimmering forest – where is he going? What might he come upon? Whom might he meet?
Week 11 in my yearlong sketchbook practice. I’m in the Adirondack park for a few days with minimal internet and without my scanner making due. I hope you’re having a lovely weekend too.
