sketchbook 8/25 – 9/14
applique bat : a free template and tutorial – how to make really pointy points
It’s like boiling eggs, there are tons of different methods for getting sharp applique points. I’ve been messing around with a bat shape and working out the point situation. And I made you a template and a little tutorial because I’m nice like that.
Bats sure are pointy, they are like the applique sharp point olympics. Before we dive into that I want to show you a couple other ideas that I think would make cool embroidery or applique projects. I’m especially exited to try that green house. I think it will be my first spoonflower print. I’ve been wanting to try that for ages. The details of the house and little cat etc. could be embroidered. What do you think?
download the bat template
I think it helps to read through all the steps once before beginning. I’ll get you started with the points and curves today and be back on Sunday with more. The points took some practice for me but once I got going it want faster than I expected. Also I mostly laid it flat to take photos but found it easier to do the points especially with it draped over my knee.
1. Trace the stitch line on the template onto freezer paper.
2. Place the pattern on a piece of folded fabric. Use a cotton that’s light weight and not ravely. Tip: Use some spray starch to make the fabric a bit stiff. It helps a lot. You can even make your own spray starch if you like.
3. I cut the template in half before placing it shiny side down on the right side of the cut out fabric. Cutting it made it easier to match up all those points and the center can absorb any margin of error rather than the edges or points. Iron it to the fabric. I pinned it to a piece of vintage linen. It conveniently covers a couple spots and holes. You’ll want to use a ton of pins.
4. I’m beginning on one of the long curves. Make a small knot at the end of the thread and insert your needle from underneath. Come out at the edge of the freezer paper. You will need to make some little clips along the curve. Clip as you go in little sections. Don’t do all the clipping first. Clip to just before the edge of the paper. Don’t clip too close to the points – leave about an inch.
5. Use your needle and finger to fold the edge under and begin stitching with very tiny stitches.
6. Notice I have left about an inch of unclipped fabric before the point. Stop stitching here.
7. Tuck the fabric under the side of the point you are working on and stitch, stop about 1/4 inch before the point.
8. Fold the tip under as shown – with the folded edge flat.
9. Make a couple tiny stitches at the point.
10. For the next step I found it way easier to pick the work up off the table. Take out the pin and use your finger or the needle to fold the other side of the point down and under. Stitch down the side of the point, put the pin back in and then clip in the curve to continue towards the next point.
11. When all your points are stitched clip on each side of the head.
12. Turn the edge of the wing under and stitch. Leave the head unstitched. Clip on each side of the bottom of the bat body too – stitch on each side of the wing and tuck in the edges around the little end of the body and stitch.
13. Cut two little teardrop shapes for ears.
14. Tuck one side of the head under.
15. Fold one of the ear shapes and tuck it in on one side of the head. Stitch it in place. Repeat for the other side. Finally tuck in the edge at the top of the head and stitch.
There will be a part 2 soon for the embroidered and applique details. If you give the bat a try please use tag #annwoodpattern on instagram – I’d love to see!
click here for part 2
sketchbook – 8/11 – 8/24
experiments in paper and lovely old handwork
One of the benefits of being prolific is the mistakes and failures don’t phase you. They are just information. My process is deeply iterative. I try and fail and try again, adjusting and experimenting endlessly. I love being right in the middle of that process and it can go on for years.
The ships are like that, the paper mache ships and lately paper ships. Endless experiments and all sorts of failures and all sorts of discoveries. Discoveries and innovations that can only come (I think) from that kind of process.
I’ve been playing with paper I found in France. I went to tons of spectacular flea markets with French General. My main objective was finding paper for the ship class this October (update -this workshop was in 2019). These antique booklets are ideal and I got lots of them – the colors and quality of the paper are perfect. Totally worth the schlepping. And Kaari (French General) found wonderful old letters, ghost messages traveling time.
This antique wallpaper and these gorgeous old pattern tracings were French flea market finds too. I’m thinking of making ships with the tracings. And maybe framing a couple. The wallpaper I love just as it is.
My other paper project involves making lots and lots of smaller paper ship and boat experiments. I’m going to hang them as in installation later this year, more on that soon. It’s daydreamy work, I do my best thinking when my hands are busy.
And I’m making a ton of them so I feel improvisational and uninhibited about trying stuff. It’s a “yes and” unedited process, one thing does lead to another if you let it. I’ve been working on them every day for a while and like the cardboard horse project years ago the growing fleet is surprising me. I love looking at them. That was my original impetus for making the paper mache ships – to live with them, to look at them, it was a thing I wanted in the world. There is a full tutorial for the small paper boats coming soon (early September- ish). They are fast, easy and magic so be on the lookout for interesting paper.
And old linen:
My mother always collected fabric for me, even when I didn’t know I needed it. And apparently she still is, with perfect timing. My sister Catherine sent me this bundle of hand stitched linens she found in our Mom’s things, mostly collected at the flea markets she haunted almost every weekend. They are exquisite.
They even smell good, they smell like they should. I’m keeping almost all of them in tact, making pillow covers, stuff like that. So much beautiful handwork. There are a couple with a lot of damage I’ll make needle books with and incorporate into some applique experiments.
sketchbook 8/4 – 8/10
sketchbook 7/28 – 8/3
traveling stitch experiments, little paint boxes and something to read
The trick is to not have a plan, choose a scrap of fabric and then choose another, a “yes and” sort of process, just see where it goes. Maybe it goes nowhere at all. It doesn’t matter. I like to take these little experiments with me, it’s good road sewing, gentle and meandering summer sewing. It’s also easy to pick up when I don’t really feel like doing anything at all but not doing anything has become awkward… This engages my curiosity very quickly and gets my wheels turning again.
Some of the experiments will become amulets and I think some may be part of a needle book. I can’t stop making needle books. And I can’t believe I didn’t make one for myself until this year. It’s so handy, always ready to go with everything I need in it. Plus the aesthetic appeal, it feels good in my hand and I love to look at it. Have you made one? Here are some more from the workshops in France.
I’m making a bigger version for traveling with larger projects. I used a piece of printer paper as a template for the page I’m working on – adding 1/4 inch seam allowance.
It’s ideal for owl and songbird wings, pinning all the little parts to a page. And maybe I need one for my paint brushes and pencils too.
*FYI – some of the links below are affiliate links – meaning I get a small commission if you purchase through the link.
I’ve held onto my daily painting/drawing/collage habit (it’s mostly painting). Today makes 214 consecutive days. It’s firmly engrained in my routine and still a huge pain in the a** some times. Having a plan for making them while traveling has helped and there are a couple little tools that made a difference. Champagne cocktails did not help (I was pretty much done when the champagne showed up though). I bring a little rag for wiping brushes and a small pad of 140 pound hot pressed paper. And lately I put a little mustard jar in my bag when I go – for water and I can mix color in the little lid.
The pocket water color box is awesome. Historically water color is not my favorite, not by itself anyway. But I also don’t like traveling with lots of tubes of acrylic. So I bring a couple basic acrylics and mix them with the water colors. The box came with a little brush that you can put water in the barrel of. I thought this was ridiculous and gimmicky and almost didn’t try it. It is so good. The water is easy to control and the quality of the brush is excellent. I just ordered a set with different sizes here. And you can get the rectangle watercolor box here for about $12 bucks. I paid almost $30…. I also bought a little round stackable box in Toulouse. I couldn’t resist the stacked circles. You can find it here.
Having a plan for the bad times is the most important thing. And accepting them. The strength of the habit helps in those times. It helps a lot. It helped in the airport in Paris after flying overnight. I was unspeakably tired and it was unspeakably hot. Being intrigued by the new little box of colors and the fancy water brush helped too. A little novelty in the mix never hurts.
I’ll leave you with the annual melancholy pool photo, a couple questions and a book recommendation.
Questions:
How do you feel about embroidery and applique patterns? I’ve had some ideas swirling around for awhile, bats, houses, botanical designs. I’m thinking of putting together some patterns and kits. What do you think? Leave a comment below please.
And the book:
I just finished The Writing Life by Annie Dillard (this is an affiliate link too). Magnificent. It’s shockingly beautiful and I didn’t want it to end. Now I’m reading a Room Of One’s Own. What are you reading? What’s on your summer book list? Please leave a comment if you feel like sharing.
Hamish Bowles’ Paris Apartment
PS- There will be lots of new little paintings in the shop on Tuesday 8/6 – noonish – NY time. If you are on the list for new artwork you will get an email when they are up. If you aren’t sure if you’re on the list send me a message and I’ll check for you.
sketchbook 7/1 – 7/27
sketchbook 6/9 – 6/30
flea market report (french edition) and a glorious chunk of nothing
In the corner of a sweltering hot barn jammed with mountains of dusty ancient things there was a little box of crumpled tissue. First a little silver fork pokes out. Then a tiny china lid that might belong to a teapot.
A shell thin glass vase that is somehow not broken is floating in the tissue too. I stop looking because I already know I need it and the rest should be discovered slowly and savored, each thing emerging. A tiny sterling candlestick and then unbelievably it’s mate, miniature binoculars, and the lid does belong to a teapot, the little set is complete and even has a platter. Old and wonderful. Everything about it is magic and sweet and melancholy and lonesome.
Vacations are not my thing. And technically this is not a vacation, I am in France to teach workshops with French General. I brought lots of projects to work on too, things to sew, writing projects, all sorts of fun things. But I did nothing. Almost nothing. My brain refused to participate. I did more of nothing than I ever have in my life. 3 weeks of nothing. Plus it was 105 degrees, making nothing the only reasonable choice anyway.
Glorious nothing, swimming and cherries from a tree for breakfast, loads of coffee and wine, fantastic cheese and bread. Feeling supremely happy wandering brocantes and vide greniers eating a jambon beurre and finding treasures. Mostly things for making things. Loads of that. And Edwardian garments and antique paper for the October workshops in LA.
Checkout some highlights from the France workshops and wanderings below. And if you’d like to spend time with me in France next summer signups will be open soon. Send me a message with France 2020 as the subject if you’d like more info.
ps – have you made a needle book? Find the tutorial here. The exquisite book above was made here in the workshop by Petra.
I’m headed home tomorrow and I felt my brain come back on line today. Sad to go but ready to work and think and experiment. Ready to dive into the busyness of finishing sewing patterns, preparing for the next 3 workshops and something special for September involving old paper and the forest.
And Summer is for making tiny dolls and outfitting the little ladies with summer hats and dresses and miss matched china for lawn picnics. I’ve put the miss thistle society patterns and tutorials all in one place for you and I’d love to see what you make – use #annwoodpattern and #missthistlesociety on instagram.
experiments in garment sewing and the inevitable matching doll outfits
This was bound to happen eventually… The doll and my blouse are made from a recently acquired vintage dress. Somebody lovely gave me an awesome bag of depression era dresses.
PS – There is a pattern for the elegant rag doll and soldier doll coming soon.
*This post contains affiliate links – meaning I get a small commission if you purchase through the links.
Do you sew garments? I’ve been wanting to try forever. My only adult experience was an apron/dress several years ago. It took forever and I immediately spilled bleach on it. I always meant to try again though and I kept seeing a photo of a blouse on pinterest that I loved, loved as in had to have it. It was pattern B from The Stylish Dress Book. I changed the neckline and added that little bow. Really I think my Mother added that bow, asserting herself from the beyond. It’s just the sort of thing she would do.
I learned a lot making it. Using fabric from the skirt of the sheer, vintage silk chiffon dress added a ton of difficulty. Slippery… Never again. And because it was so sheer I had to do french seams. But now I’m totally sold on french seams, so tidy and not difficult. You can find a tutorial for sewing french seams here.
I loved the simple styles in this book and found the instructions straightforward and easy to follow. The sizing and fit were hard and I had to combine sizes to make it work for me.
I also made top D from another of the vintage dresses (you might recognize the print from one of the tiny rag dolls new dresses). Again with changes. I skipped the buttons, raised the neckline and added gathering. I love it. The construction of it is super simple and I like the easy sleeve.
Here I am. Loving my just finished shirt and feeling deeply awkward about photographing myself in it. Feeling super happy about making a shirt myself won though. Pretty much.
I’m working on a dress version of pattern D now. I’m all lit up with learning and plan to sew lots more garments. There are several more in the book I want to try.
You can get the book here (I get a small commission if you do). If you try it be prepared to make muslin versions first to work out sizing.
Green has been turning up a lot lately. In non-garment sewing I’m making an owl and songbird from an Edwardian bodice and green velvet dress. I’m taking them with me to work on in France. I’ve got ambitious hand sewing plans for that trip, these guys, toadstools, seedpods, amulets – all sorts of things.
I’m officially in full on pre-departure frenzy right now and should probably stop sewing clothes. This week I tried watering globes for my plants. I wasn’t all that optimistic about them but I’m a week in and they’re working out surprisingly well, I’m going to get a bunch more before I leave.
It’s important to saturate the soil and then make a hole with a stick, tamping down the dirt so it’s not loose. The first time I put them in the plants weren’t saturated enough and the water ran right out. I think the globes will get my dear plant friends through the few days they’ll be on their own. You can find the watering globes here (this is an affiliate link – I get a small commission if you use it to purchase). And if you’ve got other automatic plant watering ideas I’d love to hear.
sketchbook 6/2 – 6/8
