my big creative year : notes, doodles and sketches

owl sketches

I always have a notebook with me – usually more than one. They are full of lists and notes and doodles and sketches. Blank pages are terrifying and paralyzing and my notebooks are a safety net. It is essential to my forward motion to record ideas as they come to me, to sketch-out possibilities, and to doodle, sometimes with no direction or intention, just playing with lines and marks and shapes and symbols. Sometimes the notes are specific to a project I’m starting but often one thing leads to another and while I’m trying to work one idea out that effort produces all sorts of new unrelated thoughts, glimmers of ideas, all recorded and saved. My notes and sketches are made for my eyes only, spontaneous with no pressure to be fancy or tidy or to impress, just beginnings, but I chose a couple pages to share anyway.

owl sketches I also find huge value in writing about what I’m going to make – it develops my ideas in ways that sketching doesn’t. I noticed on occasions when I had to write a proposal for a project, describe my ideas to somebody else, convince somebody else an idea had merit, that details and richness would come from that exercise so I’ve made it a habit to spend time describing my ideas and plans to myself in writing.

I’ve been keeping notebooks for years and I have volumes to refer to – they are a mess but that seems to work for me too – I peruse them when I need a place to start, the tiniest thing, scribbled years ago and forgotten can get my wheels turning. They have saved me again and again, I never really feel like I’m starting from zero.  I’m working on some holiday ornament designs right now – they will either be licensed and produced by someone else for 2016 or I’ll release them myself as patterns this year. I’ve got a ton of saved ideas. I can’t show you my current thoughts but the castle sketch below is from a few years ago – a rough idea that eventually became an ornament set for Crate and Barrel.

castle sketches

paper castle ornaments

 

 

on my work table

fitting foxes for kimonos

fitting foxes for kimonosI’ve been working on a huge collection of creatures for Fortuny. Today I’m fitting patient foxes for kimonos – it takes a long time and  they never complain or fidgit – they are always solemn and still. The fit is precise – especially at the back of the neck and they are fully lined and have fancy obis. Sewing them is still complicated for me, it’s a different sort of sewing than I usually do and figuring it out is interesting – it activates my beginners brain – always a good thing.

pink kimonoDressing the foxes reminds me of a story I read as a child. I must have been about nine when I first read it and I still have the book, an illustrated collection of stories for bigger little folks.

doll story“The Doll That Was Rich” was a favorite story about 2 little girls named Cosy and Marlie – the names alone intrigued me. It was read so frequently that the book still falls open to the page:

” On the table in front of them were two dolls, one dressed and one partially dressed. Beside them was an open parcel, full of bits of bright colored silk; and beside that again was a work basket.”

I still love the idea of a basket of fancy scraps and somebody to dress up.

my big creative year : why I sew

stuffed purple hippo

I sew because my mother sewed, because my aunts sewed, because my older sister sewed. I think well in stitches. It’s simple, the barrier to entry is very low and the possibilities are endless. It’s a language I’ve spoken for a very long time, it’s comfortable and I am adept in it.

stuffed purple hippoThe worse for wear hippo above is the very first creature I sewed – my first gussets, my first complex shape, the first thing I made that seemed (to me) to have a heart, and seemed to have somehow intended her own creation. She was made over a summer spent with my Aunt Rita when I was small. She tumbled out of a dark corner of the closet recently and reminded me what magic and transformative work sewing has been for me.

botanical workshop at squam art retreat

I got back from Squam on Sunday – tired to the bone, happy and satisfied. It was such a good time – 4 days in the spectacular New Hampshire forest making toadstools and seedpods.  And it really feels like summer camp, a bell rings for meals 3 times a day, the cabins are rustic and charming and have lovely fireplaces that are magically filled with logs when you’re not looking. The nights were cold and the days were warm – the perfect climate for me. I caught up with old friends, made new friends,  expanded as a teacher and came home inspired and full of ideas.

The student work was fantastic.

toadstools_1

enchanted toadstools

Thanks to lovely Christine Chitnis for the photos below and checkout lots more in her beautiful Squam post – you get a real sense of the place and the experience.

seedpods squam 2015

squam seed pods 2015

toadstools squam 2015

seedpod squam 2015

my big creative year : daily practice

daily experiment

The hard thing about a daily practice is that it’s daily. And days and weeks are guaranteedto be weird sometimes. But I think committing to a daily practice – even a very small one – is valuable and fruitful. My practice is to experiment – to do something each day, on paper, to meander, and wander my imagination and try stuff that is entirely separate from the busyness and work of the day.

daily experiment

I chose to work on paper because it’s something I miss – making marks on paper – and I chose to keep it small ( 4.5 inch squares) to keep it do-able – especially in weeks where I’m overwhelmed and / or traveling. I share it here every Saturday and that adds some pressure but I think it’s pressure I need.

Some sketchbook favorites:

sketchbook_favoritesLast week showing up for it was particularly hard. If I was going to bail, take a vacation from it, let myself off the hook, last week would have been the week. I’m so glad I didn’t – I took James Clear’s advice again – reduce the scope and stick to the schedule. I didn’t have my full array of tools but I had a little paint and pencils and my little squares and they came with me to Squam. I got up a little extra early each day and spent time with my experiment before class started. I’m so glad that I did.

I don’t think it matters as much what I do as it does that I do it. It matters very much that I find a small part of each day that is personal and expressive and my own. It should be a priority.

my big creative year : books that have mattered

There have been books that have stayed with me, books that inspire me and make me curious, books I just love looking at- over and over again. I’ve chosen a few of those to share with you.

The first is by photographer Arthur Tress, Fish Tank Sonata. Flea market treasures – knickknacks – arranged in a fish-tank and photographed. I love his others too (Teapot Opera especially).

arthur tress

Next is The Grosset Treasury of Fairytails illustrated by Tadasu Izawa and Shigemi Hijikata. It’s a 3-D puppet book- one of many created by this team in Japan in the 70’s. They were magic for me then and they still are today.
fairytails Shadow Theaters and Shadow Films Is a stunningly illustrated instructional book by the master shadow puppeteer Lotte Reiniger.  The scenes are magical and every composition is brilliant. You can find some of her shadow films on youtube – I love the scratchy worbly soundtracks.

shadow theater

The last two were gifts that I loved :

Julie Taymor – Playing With Fire by Eileen Blumenthal. It’s a huge book that chronicles the the history and work of artist and directorJulie Taymor – her beginnings, her process and sketches – a window into her thinking – her imagination is giant and her thinking is rigorous. I refer to this book regularly – especially when my thinking feels lazy.

julie taymor - playing with fire

Joseph Cornell: Shadowplay Eterniday – Essays by Lynda Roscoe Hartigan and Richard Vine. I love Cornell and his dreamlike, melancholy, poetic boxes, those precious objects and little worlds. This is another giant book with images of more than seventy-five boxes and collages, as well as images of the fascinating source material, his treasures.

joseph cornell

sketchbook : week 15

sketchbook week 15

Week 15 in my yearlong sketchbook practice.  The small scale of these was a good choice for me ( they are 4.5 inch squares). It has kept the task managagable – it feels reasonably  do-able most of the time. But it has also made me crave something bigger  in scale and more time to be thoughtful and time to experiment. I’m curious what that would feel like – curious and intimidated.

sketchbook week 15

made by you

made from ann wood handmade craft patterns

I’ve put together a little collection of things made from my patterns – I love seeing these – beautiful work and tons of imagination. Thanks for sharing your photos!

A dear lamb by Evie Barrow.

evie barrow lamb

A fantastic boat by Alla  (this boat is made from my free boat pattern).

paper mache boat

The paper mache ships below are by Val – she used chalk paint – I love the pale, matte colors.

val's ships

An owl family! So many wonderful details – they are by Mama with a Needle and Thread.

handmade owl family

A magnificent paper mache ship by Kileen.

kileen paper mach ship Read More