over the stream

week 46 in my “this is where i am from” year long project:

I  spent the  entire day doing small careful drawings and writing a course description  (both top secret projects I’ll share a soon as I can )  so I needed to do something looser this evening.  I would have loved to have done nothing at all – but thats the whole point of a personal assignment. And I was glad to be painting after a little while – it was like a counter stretch to my day.  This is  the stream deep in the woods with a haphazard little foot bridge crossing to the hill covered with blueberries and the high tension towers.

clothespin ballerina

week 45 in my “this is where i am from” year long project:

I made these ornaments when I was small – I think the same year. I don’t have them anymore and I wonder if I remember them accurately and  I wonder of they are wrapped in tissue in one of my sister’s attics – I would love to see them.

The ballerina was made  from a clothespin and her costume was a scrap of pink tulle and ribbon. And the little camel was made from brown flannel or felt maybe and he  had red blanket stitch all around and sequins on his blanket.

patience

I made this painting for the class I’m taking with Lilla Rogers Studio.  My assignment this week was to create wall art  in a limited palette and incorporating at least one word and botanical imagery. I made myself miserable for 24 hours and then I had a marvelous time for 24 hours.

sewing machine

week 44 in my “this is where i am from” year long project:

My Mother’s sewing machine. A White Rotary, I think it was a wedding present. It’s the machine I watched her sew curtains and clothes and dolls and toys on. It’s the machine I learned to sew on and it’s the machine I sew on today.  And because it’s almost Halloween I’ll tell you a spooky and entirely true story about it:

In December of 2006 I had just begun my solo enterprise – I had lots of orders and deadlines and on the eve of one of those very important deadlines I was still  sewing furiously  very late  at night.  With a long way still to go the machine suddenly  stopped and a chunk of metal rocketed past my face.  I found it across the room –  an essential part of the machine – no sewing without it – and it was broken. I tried to fix it but nothing worked.  I have a drawer full of bits and pieces that I saved from my Father’s workshop, things I used in dioramas and assemblages – bits of metal and rubber, knobs, washers, gears, springs etc.  I thought maybe I could cobble some temporary solution together from those.  Another hour of frustration  and  no luck at all.  Exhausted, defeated and ready to give up I pushed the drawer closed and it stuck halfway, I pushed again and it stuck again, I pulled and it stuck. I gave a great big angry  pull and the drawer flew out and what had caused it to stick also  flew out and landed in my lap: to my amazement and disbelief it was a replacement for the broken sewing machine part – the exact part – identical but for the color. Not similar, not “good enough” the EXACT PART in perfect condition. I snapped it in and it worked beautifully, that night and all the nights and days that have followed.

The End.

on my work table

Some strange stems – for new mushrooms- they are getting curvier and curvier.

I started 2013 with the intention to draw and paint more and another effort in that direction ia a class I’m taking with Lilla Rogers Studio. My assignment this week was to create art for plates using botanical imagery ( bromeliads or something similar). I made this little painting and below that you can see my plate mockup.

And a painting – I started 2013 with the intention to draw and paint more (and I definitely have) and another effort in that direction is a class I’m taking with Lilla Rogers Studio. My assignment this week was to create art for plates using botanical imagery ( bromeliads or something similar). I made this little painting and below that you can see my mockup for a set of plates – I named the set Utopia.

utopia 2013

the big fig newton

week 39 in my “this is where i am from” year long project:

I loved halloween. I loved making costumes and my most favorite of all was  my big fig newton costume – I was 10 or 11. I spent weeks working  on it.  The fabric was shimmery and I learned the song and the dance (note the jazz hands).  So much fun to make but not so much fun to wear – it was pretty awkward and  it rained on halloween that year so I was a soggy, cold, uncomfortable newton.