Category: this is where i am from

hennessey’s grove

week 12 in my  “this is where i am from” year long project:

(click the image for a larger view)

Growing up in a small town in the 70’s afforded even a very small person considerable geographic independence. It was a reckless time when children rode bikes without helmets, were unrestrained in cars and open truck beds, cigarette smoke was everywhere and loosely supervised by an older sibling or absorbed into the roaming neighborhood pack – one could be out of sight  and earshot of adults for considerable stretches of time and at considerable distance without causing concern. Hennessey’s grove was a favorite place to play, past the house next door and headed up the hill, the forest got thick and deep. A wide path opened and if you followed it you came to the grove – a shady, pine needle covered clearing concealed from the street, industrial size, limb crushing, wire spools everywhere. They were intended as picnic tables for grown up gatherings but irresistible as playthings, fun to roll and ride and climb on and it’s a miracle we all emerged with fingers, arms and legs in tact.

For next Wednesday’s post I’m going to follow one of the little paths on the far side of the grove: one trail led down a steep hill and further into the forest through purple trillium (skunk flower) and wild rhododendron to a weird little pond and the other led to Mr. Hennessey’s rhubarb patch.

painting progress

week 10  in my  “this is where i am from” year long project:

I’m working on the depression era dump painting, it took some frustration and some hours for me to figure out I was going to have to take my time with this. The place is such a rich and vivid memory for me I want to express it as fully as I’m able. It’s slow work that I’m very happy doing.

I indulged in my favorite paints – lascaux – and a cradled gessoed board. I haven’t invested in good painting supplies in a long time and it’s such a pleasure – I love the texture and flatness of the lascaux.

I’ll share this little detail with you today – the leafy forest floor and some lovely old junk poking through – and I’ll probably post a little bit of  progress on instagram later this week.

accidental terrariums

week 9  in my  “this is where i am from” year long project:

I’m working on a painting of the little depression era dump next to Ginger’s barn. The sketch below is of one of the treasures you might find in that spot –  an accidental terrarium – a jar or bottle or even just a piece of glass that has become a mini greenhouse – a winter home to growing  things – foggy and misty and otherworldly inside.

It is a magical thing to come upon on a cold brown winter forest floor.  You can see some examples of accidental terrariums here , here and here and if you have found one I’d love to see. I’ve almost finished the charcoal sketch on the board I’m going to paint on. Besides the little terrariums there is lots of marvelous old timey junk, the  stone wall that went impossibly on and on and the dancing sumac trees with their strange velvety red bobs, leaves gone for winter.

map – a beginning

This is the beginning of a map of the territory of my childhood. I’ve begun pretty much in the middle – our little red house with the barns behind, The house across the street and the house next door. The hill behind the house across the street was a forest of huge red pines. The dried amber pine needles carpeted the west facing slope and it glowed in the afternoon. The house next door had a grove of sumac trees behind ( upper right of this map) and past those trees, next to Ginger’s barn, was a depression era dump – a little one. Bottles and jugs, buckets, upholstery springs, ancient roller-skates, piggybanks and broken china – everyday things from a long time ago all rusty and ruined,  waiting to be excavated by curious children. It was my childhood deadhorse bay and one of my favorite places – I’m going to zoom in on that spot for next week.

me and the barns

new winter jacket – watercolor and colored pencil

A lot of my memories are in square format and slightly overexposed.  My mother took pictures with a Yashica – A manual camera.  There was a shoe box full of photos I loved looking through over and over.  I loved  seeing my world rendered (instagram style apparently!) and I loved seeing the world that preceded me.  I’m intentionally not working directly from photos but I have vivid memories of some of them. She had a particular spot she liked to plant us in for pictures so I see myself  and my siblings there- in Halloween costumes and new winter coats and  white first communion dresses. There is one I remember particularly well – in a brand new winter jacket, fresh snow on the ground and the paths to the little barns and clothesline neatly  cleared. I must have been 10 or 11 – approaching the height of my geekdom.

a mysterious well

the old well – pencil drawing

I loved the places that were home to lot’s of little creatures – the swamps, streams, stone foundations and this old well at the edge of Hennessy’s Grove. If  you were still and  looked long enough you were likely to see a salamander tail slipping into a crack or a garter snake poke out of a crevice. It had a heavy cover on it  and I don’t think I ever saw inside but I loved wondering what it might be like,  imagining driping and plinking echoing in the magnificent depth and strange  pale creatures living in the dark, wet murk.

backyard swimming pool

swimming pool (10″ x 15″) on matte board   ( you can click the image for a larger view)

I ended up making a mess of my under-painting and starting over with a simpler composition more focused on the pool and the Japanese Maple. There was a bunch of other stuff I wanted to show you but the woebegone pool was getting lost.  I haven’t painted anything in a long time and there was definitely  a settling in period, finding a rhythm and a particular sort of focus. That particular sort of focus, when achieved,  is one of the things I most like about this kind of work.  It feels like a little milestone in this project to have something painted and  pretty much finished. I’m full of ideas for other  drawings and paintings – places I want to show you. I also want to start to tie these images together and put them into the geographical context of my remembered childhood for you. I’ve begun drawing a map and I’ll show you some work on that and maybe a mysterious covered well next  Wednesday.

swimming pool – underpainting

pool - underpainting

This is work on  a painting of  the backyard pool- a classic  above ground beauty, circa 1970 or there abouts.  So far I’ve almost accomplished an under-painting – details defined in umber and washes of greyish blue and umber. I have lots of snap shots of this pool in my mind but my favorites are the darker ones – too cold to swim, a steely, cloudy day, leaves and japanese beetles floating on the water. I want to show it to you past its prime, listing a little and rust insulting the happy stripes. I was attracted to melancholic things as a kid and I still very much am – I think there’s a shadow of melancholy in almost everything I do. I’m happy to fully indulge that inclination for this picture.   I’ll begin to add color this week  (I might share a snippet of progress on instagram or facebook) and I’ll post the bleak scene here  in full color next Wednesday.

i have lots of snap shots of the pool but my favorites are the darker ones – a little to cold tos swim , a cloudy day – leaves and japanese beetles floating on the water in an univiting way
the pool past its prime with rust  looking extra corrosive on the happy stripes- I want to show you the pool past it’s prime, the worse for wear and on a grey day.  I was attracted to melancolic things as a kid and I still very much am – I think there’s a shadow of it in almost everything I do. I’m happy to sink  into that  mood for this picture.   I’ll begin to add  color  this week  (I might share a snippet of progress on instagram or facebook) and I’ll post the dismal  scene  here  in full color next Wednesday.

wild strawberries and bluettes

north yard

(click image for larger version)

I’ve been working on a sketch for a painting.  The plants and trees and flowers have continued to be on my mind most.  On the north side of the house, outside my bedroom window, there was a dogwood tree and just past the picnic table  there was a funny little tree with round jingly leaves we called the money tree. I don’t know what  it was – an alder maybe? I’m trying not to get too stuck on being botanically correct – I’ll drive myself nuts. The grass was sprinkled with bluettes, tiny wild strawberries, orange hawkweed (indian paintbrush), queen anne’s lace and purple clover. Ferns and violets grew in the shade near the stone wall and marched down the little hill.

This week I’ll start to make this into a painting. I’m also  thinking about what to draw next:  If I follow the violets down the little hill  I could go across the road and past the wild tiger lilies into the far swamp.  Or if I turn right at the dogwood tree I could show you the Japanese maple and a classic 1970’s  above ground swimming  pool. I’m leaning towards the pool.

this is where i am from

high tension ;ines

high tension wires – pencil drawing – 2013

That’s the subject  for my year long drawing and painting project.  The place where I grew up, my memories of the place and the experience. I’ve only made a couple rules: it must be two dimensional work on the aforementioned subject and I must post progress here  each and every Wednesday of 2013.  If I don’t work on it  steadily  every Wednesday of 2013 will be pretty humiliating for me.  And that’s the idea, to push myself into the habit of drawing and painting regularly.

Today’s drawing is of the high tension wires (power lines), one  of the far limits of my small self’s territory.  And some things found closer to home – the lilacs, the big pale pink roses and the old gray fence that were  just outside my back door.