Tag: creativity

my big creative year : perspective

shed skin

When I need to shift my perspective the best thing for me is to wander outside. So I did this weekend, for a little bit in the Adirondacks. I really didn’t think about things or try to figure anything out but while I was smelling moss and tree sap and collecting treasures my head cleared, a lot of franticness lifted.

shed skin

I’m in my usual spot of too much to do, not enough time etc. etc. etc. and I’ve got to let go of something so I’m going to put My Big Creative Year on vacation for the remainder of August. Or, more clearly, I’m going to put posting about it on vacation – I’ll still be having a big creative year and I hope you will too. The timing feels perfect and it takes some pressure off, gives some much needed breathing room. I’ll still be posting about other stuff – what I’m working on etc. and – hopefully later this week- I’ll tell you what I learned in my holiday survey – it was full of surprises. Thanks if you participated – I learned a ton.

sketchbook : week 25

sketchbook - week 25

Week 25 in my yearlong sketchbook practice.  

sketchbook : week 25

My daily experiments are making me a better observer of everything around me and my own thoughts and patterns – what I’m attracted to, what I say to myself, where I get stuck. It is making me a more free and less judgmental experimenter and it has made a place for ideas and beginnings of ideas to sneak out. I wander in my imagination and new relationships and intersections appear. Things occur to me that would not unless they had this opportunity and this space. It is such a good thing and it’s making me think more and think differently about making room for things. I’m curious what it would be like to designate a bigger space and more time. I wonder what might show up if  there was the opportunity.

my big creative year : the importance of no and what I love about collage

no collage

the importance of no

“A ‘no’ uttered from the deepest conviction is better than a ‘yes’ merely uttered to please, or worse, to avoid trouble.”
Gandhi

I say yes when I should say no. I think it’s most often to please or to avoid immediate discomfort, sometimes to avoid taking the time to make a truly thoughtful decision or sometimes for fear of lack. Firm, thoughtful, timely NO and carefully considered YES are things I need to work on.

What I do with my time is defined by what I say yes to – say yes to too much of the wrong stuff and the right stuff – the things I really love doing get squeezed out. Halfway through MY Big Creative Year there is still so much, so many ideas and things I want to experiment with waiting on the back burner for me to be less busy with my busyness.

I came across two great articles about creativity, time and NO I hope you’ll check out:

Creative People Say No
by Kevin Ashton

If You Don’t Prioritize Your Life, Someone Else Will
by Greg McKeown

A note on the collage:

It was a good thing to say yes to. Collage is something I love playing with but hardly ever make time for. Time experimenting with mood and pallet, accepting and rejecting ideas,  trying things on,  it lends itself to “what if” thinking and can draw me out of my worn in grooves. My reason for starting was because I needed an illustration for this post and I intended to be efficient about it. As soon as I began it became clear that somebody just really wanted to make a collage. I got lost in it, spent too much time and thoroughly enjoyed myself.

no quote

my big creative year : the magic of tidying up

cleaning and organizing

cleaning and organizing

I recently read Marie Kondo’s “The Life-Changing Magic of Tidying Up”.  The book isn’t about cleaning, it’s about decluttering (the photo is from a house I visit upstate -I chose the photo because I love it, everything about it, and it expresses the beauty of essential things – just the essential things – the joy of simplicity and the elegance of the space around things).

It’s about having less stuff, having only things that bring you joy.

I approached this book with probably more than healthy skepticism. I always run into trouble with the word clutter. I get defensive and protective – that’s my important stuff, my important special stuff- and I need it, I need all of it, I need choices.

But do I? Do I need all of it? Do I even know? Have I truly looked closely enough or listened to myself and my things enough to know? Do I really understand what having it is costing? Because there is a cost – things have weight and shifting that weight around requires time and energy. And that’s what I do – I shift it around.

“Putting things away creates the illusion that the problem has been solved.”

I have all sorts of organizing schemes, I love the container store and ikea. I love them. I put it all away, make it lovely and it feels so good. For a while. Until everything I squirreled away starts to creep back out and I need to do it all again. It doesn’t really work or last because there is just too much. Too much that isn’t meaningful, too much I don’t truly love, more than what is essential. Slowly, it reemerges and I feel the weight of it.

At the center of Marie Kondo’s system for decluttering, for relieving yourself of “the burden of owning more than one needs” is this question:

Does this spark joy?

Look at everything (and she means everything) and ask yourself if it sparks joy. Her system for evaluating and what to do with the things you decide to keep gets detailed, really detailed (she almost lost me at sock folding) and there is an undeniable wisdom in the system, even the order she directs you to tackle things in makes perfect sense and sets you up to succeed. The goal is to create a lasting change, not a chore or exercise to be repeated at intervals – a system for assessing and dealing with possessions, keeping what you love, disposing of the rest and ultimately being surrounded by only what you love, what you choose.

I have begun, as directed, with clothes.

Some sparked joy, that was the smallest pile, some did not. A lot sparked a desire to lose weight. The pile of “doesn’t fit but I love it” was depressing and motivating – lots of “goal pants”…….  And she talks about the pitfalls of “downgrading to loungewear” – it was like she was speaking directly to me – vast, VAST and cumbersome sections of my wardrobe were “paint clothes” and “things to wear around the house” – enough for a couple life times.

The book continues through each category of possessions – tackling them head on, anticipating where one might fail or waiver with remarkable insight.

There is art, science and spirit in her system – you need to be able to embrace or at least have some tolerance for the idea of having a spiritual relationship with your things and the idea that things have energy. I’m so glad I read it, there were revelations in this book for me and it has made me think differently about things and how to take care of them.

I’m going to continue to work my way through each category (they get progressively more difficult) and I’ll let you know how it goes.  What’s your relationship with your stuff like?

my big creative year : ghost gown

ghostly edwardian gown

ghostly edwardian  gown
She danced right in…..

It’s been almost 2 years since I’ve run into a perfect, ruined whisper of a gown. I haven’t been looking, and none have found me. Interests, fascinations have seasons I guess and I wondered if this particular season had faded away forever. This Edwardian lawn dress, perhaps a wedding dress, arrived last week – it has everything and just like that I am in love again.

edwardian gown detailThere are particular qualities I look for in them – the lace is exquisite and the ideal scale for fancy little wedding birds – some of it is ruined by stains and tears but a great deal is in perfect condition. Looking for just this sort of lace is what sent me in search of a new /old gown a couple weeks ago. And there is so much more, the sheer cotton has worn to a silky sheen – it’s so thin and transparent it looks like it would disintegrate if you blew on it but it has a surprising amount of integrity and it makes the most perfect downy feathers for realistic birds, there is a subtle, lifelike iridescence. I’ve only come across it  once or twice.

And then there’s everything else, the sweetness, the romance, the heartache, the mystery, if she made a sound it would be a far away, off kilter music box playing Chopin. She had come all undone but I stitched and pinned her together for her last photo.

edwardian  gown : ann wood

sketchbook : week 22

Week 22 in my yearlong sketchbook practice. I get so many ideas from my little squares, for all kinds of things. This week I had lots of ideas for fabrics and ceramics.  I’d love to take a hand building class this fall. And for now I’d like to experiment with Spoonflower – have you tried it?  Or maybe some block printing on linen. Wouldn’t it be nice to spend a couple weeks just messing around with stuff you haven’t tried? 

sketchbook : week 22

my big creative year : mind maps

chillingworth

Mind mapping and I go way back….. I first used it during the couple of years or so I spent trying to figure out what I wanted to do next, pre – this blog, pre – ann wood handmade. It helped me feel my way through, sort and evaluate ideas and then figure out steps to begin, to make stuff happen.

My brain is not a good place to keep things – ideas chase and distract me, things get lost, when my head feels cluttered I get overwhelmed and unhappy.

chillingworth

Getting stuff out helps me keep moving forward. My notebooks remain my most important tool for capturing ideas but for looking at the whole picture, making complex plans or experimenting with possibilities I find mind mapping incredibly useful. And I enjoy it – which matters – it’s fun, fun is good, fun gets me to do stuff. I use software or sometimes just pencil and paper – each have their advantages, the premise is the same for both:

Organize thoughts around a central idea.

Topics, sub topics and related ideas radiate out from the central idea and then branch off into increasing detail. That’s one of the big benefits for me – details go where they belong and I’m less inclined to become mired in, or overly focused on them. I use shapes and colors and lines and size to define or highlight ideas. I see connections and intersections, relationships and priorities that I might not otherwise have seen if I was working something out in my head or making a strictly linear list.

I started a new mind map this weekend. I’ve got a wicked summer cold, laryngitis, zero energy and large sections of me are covered in calamine lotion (unprotected walk in a swampy forest) – I’m wretched and itchy and generally poorly so I took to my bed on Sunday and played with Xmind all day – it’s free unless you want to get super fancy and I love it. It looks snazzy and you can add hyper links, images, reminders – all sorts of useful stuff. The image below is the beginning of my map (it has gotten much bigger) and I blurred some stuff out so as not to spoil any surprises.

mind map
My central topic is broad – my plans for the second half of 2015 – products, artwork, marketing, workshops, blog stuff – all of it. I’m just getting started and it’s already helping me generate new ideas and have a sense of direction and priorities for the rest of the year. I start messy and inclusive, brain dump style – and then refine – wether I’m working on paper or a program. As my focus gets clearer I start to add action steps. I love the structure around my ongoing projects and it makes space for new ideas. It’s not a to do list but it helps me build meaningful to do lists. Excellent and entertaining use I think, of an entire Sunday in bed.

sketchbook : week 21

sketchbook : week 21

Week 21 in my yearlong sketchbook practice. This was an extra busy, extra tense, summer coldy, sore throaty, foggy brained week and it was hard to focus on the sketchbook part of the day. To make it feel do-able and to refresh myself I mostly finger painted – I highly recommend it as a loosening up, getting over yourself exercise.  Sometimes I felt like I got somewhere interesting and sometimes I didn’t but it mostly felt loose and free and experimental – so much of what I look for in this daily practice.

sketchbook : week 21

my big creative year : for introverts

On a scale of 1-10 for introversion, 1 being an actual hermit and 10 being the super extroverted end, I would place myself at 3, or maybe 2 and 1/2. I don’t mind it, don’t want to change it and couldn’t if I did. It’s not a condition, it’s not better or worse than the other end of the spectrum, I do like people, I’m not sad or lonesome in any general sense, I’m just wired in such a way that solitude, and lots of it, is where my energy comes from.

for introverts

I would like to be a BETTER introvert though in three ways I’m clear about:

Figuring out how not to feel bad about it or at least feel bad about it less often. I waste so much time and energy on that.

Being a more diligent and intrepid explorer of myself.  I want to reach past the comfortable territory I’ve already navigated and develop more skill at sharing that world.

And by challenging the edge of my natural inclination more often, not in an effort to be someone else but to expand to my full capacity,  to explore and experiment outside myself and collaborate more – in ways that respect what I need but push me past what’s entirely comfortable and familiar.

P.S. If this is something you relate to check out Jonathan Field’s conversation with Susan Cain, author of Quiet: The Power of Introverts in a World That Can’t Stop Talking.