Tag: productivity

the big 2020 review and plans for the new year

art and drawing supplies on a pink desk

let’s start with the first project of the new year:

Years ago I got a very old, wobbly, pink console table at a flea market in Brooklyn. Turning it into a place to make my little daily paintings was the first project of 2021. My current living situation (Guilford, Connecticut since June) is serviceable but I have not really made friends with it. The pink desk is the first thing that has made me feel at home, less disoriented in disorienting times.
It needed a thorough cleaning to brighten the odd pink paint and tightening the leg screws completely eliminated the wobble.

art and drawing supplies on a pink desk

Ritual and habit anchor me. And the pink desk adds to the painting ritual. They happen mostly in the evening, the last thing I do each day. Pretty much. I haven’t missed a day in two plus years. I love that it’s waiting for me. It removes an obstacle to beginning. Removing obstacles is super helpful when committing to practice, to building a habit.

art and drawing supplies on a pink desk

more on new year plans in a minute, first let’s look back

Amidst the swirling debacle that was 2020, two lifelong dreams were fulfilled.

You know I love a list. Partly because I like to look back and see what stuck and what didn’t. What plans turned into reality and what stayed in the someday folder. I made an intentionally audacious (audacious for me anyway) list in 2015.  Looking back at it now I’m surprised how much of it came true. It also pointed me back at some things I’d still like to accomplish and some I’m probably letting go of. Like surfing. Mostly cause I’m scared of sharks.

Two big items on the list happened this past summer:

I planted a garden and took a pottery class. The hurricane at the beginning of August dropped a huge tree on the little garden and pretty much wiped it out but still… some stuff survived (mostly herbs and radishes) and I got to play in dirt and ate stuff I grew myself. I also learned a lot about bunnies, bugs and deer…

3 ceramic handmade plates

The pottery class was at the Guilford Art Center over the summer. It took most of the ten week class for me to figure out what I want to make and learn even the basic rules of clay. I am swirling with ideas and all the energy of being a beginner.

hand holding a tiny ceramic mushroom

And I made a painting. I’ve been intending to bust out the mini scale of my painting work and experiment for a long time.  At the end of the year I made it a priority. It was an experience. I learned a lot, including that paint is expensive. It’s something I’ll continue to experiment with but at a less ambitious size unless I win the lottery.

blog and shop stuff

A few highlights : The Elegant (and sometimes nude) Rag doll pattern was released as well as 9 new free tutorials:

picnic bugs
wire doll house bed
overalls for the tiny rag doll and mr. socks
miniature paper hens
scrap flower garlands
chicken ornaments
owl ornaments
pin girls
lucky fish

mouse doll house tea party

My favorite project of the year was the mouse house. Made for joy. 100% Joy. And that’s my plan for 2021. Look for Joy. Indulge in and commit hard to things that bring Joy and let go of things that don’t.

Two of the big lessons from 2020 for me were:

1. Take nothing for granted.
2. I’m capable of more than I think.

Weeding out the things that don’t really bring Joy is harder than it sounds. But I can make it the first question. Put it at the top of the list when deciding what to spend time on, let it steer me. I think the daily painting practice helps with that. Showing up and listening to myself.

If you’re feeling up for a daily practice the 100 Day Project is a good opportunity to test drive one. The next round starts January 31st. Think of it as an opportunity to listen to yourself.

I’m still feeling around for my goals for this year. There are a few things I know for sure in the short term – in the next few weeks you will see a new sewing pattern (the crow), prints and notecards made from daily paintings and plans for the third annual international scrap festival.

Lots of other ideas are still swirling and percolating and I’m giving them room to do that. Building more time in my days to feel around for Joy.

france, battling natsubate and pushing the songbird pattern across the finish line

textile toadstool in the south of france

Natsubate, I definitely have it. It is a Japanese word that can be translated as “summer fatigue”. July is almost always lazy and slow for me. There is no talking myself out of it. I should probably start planning for that. Besides the seasonal aspect, the natsubate, giant projects almost always have doldrums, usually near the end, when the hard part is done. A massive wall of resistance rises between me and the little last details.

That stuckness is cemented by ambiguity. Specifics, specific tasks, specific goals and time frames move things forward and support momentum.

hand stitched songbird progress

That’s where the songbird pattern has been,  trapped in a perfect storm of inertia: July, just the fussy boring details left to do and a lack of structure, a lack of plan to complete those. There is also, I’m sure, an element of brain fatigue, the backlash for having not taken a break for a while, not letting my mind and focus muscle rest. A few days out of my routine being tossed about in salt water helped with that.

And I can fix the lack of plan part while still accounting for my seasonal dip in energy and focus by applying James Clear’s method, reduce the scope, stick to the schedule. I’ll devote a couple golden early morning hours each day to a specific lists of tasks. When I broke down exactly what I needed to do on paper it was suddenly clear that would be more than enough to push this pattern over the finish line and into the shop. That clarity was motivating on its own and to add some accountability to further inspire me I’ll tell you that the finish line is Tuesday, 7/17.

corde sur ciel : france

Now let’s talk about France a little bit. France gets a big thumbs up from me. I suspected it would be good but it was beyond my imagination. Good job France, you really brought it. I was so completely engaged in the experience I hardly took any photos but I’ll share what I’ve got below and you can find more on french general’s instagram feed  (scroll down a little for Corde Sur Ciel).

textile toadstool in the south of france

I’m planning now for a longer stay next summer. You should come. If you think you might like to let me know – and I’ll keep you informed as plans solidify.

Have a beautiful weekend and I’ll be back on Tuesday to share the songbird pattern. At last.

have a stubborn heart

I don’t know who said this (do you?) but I love it:

“Magic happens when you do not give up, even though you want to. The Universe always falls in love with a stubborn heart”

 

I think it’s true.  Letting go of things is part of the equation too.  And getting out of the way, letting things happen.  It all has to balance. That’s the tricky part.  And you’ve got to take care of your stubborn heart.  

It has been my experience that ideas are self perpetuating – one thing leads to another.  Showing up,  having a stubborn heart,  keeps things flowing.  Working, trying things, failing,  asking the second question and the third and wanting to see what’s around the next corner keeps me in motion.

Once in a while that cycle gets broken. The well isn’t empty but the bucket is not reaching.  A consequence of too much at once and not enough rest.

No amount of effort or discipline will fix it.  It requires another approach.  A rest and a reset. I let go of my ambitious day and did what I felt like.  Mostly I cleaned.  Laundry, serious vacuuming, making space,  clearing distractions and removing obstacles.  Making this a good place for thinking.  A place conducive to ideas.  And tomorrow a trip to the shore for a day of mudlarking.

That should fix me.  Part of the big tidying today was making my worktable an inviting space and making an appointment to show up.  Just to show up, no huge expectations or attachment to a particular outcome.

art supplies

It’s ready for me and tomorrow evening I’ll spend time experimenting, moving my heart and mind and hands and beginning to wake up the muscle, find my way back in.

paper mache teacups

I’ll share some of my mudlarking day in an instagram story tomorrow.  And if you feel like a project this weekend maybe try a paper mache teacup. They make a sweet mother’s day gift.

unclenching my sketchbook

sketchbook painting of a goat and mr. cups

The purpose of my daily painting and drawing practice is to encourage free experimentation and exploration, expand my vocabulary, fail often, follow my curiosity, exercise my creative muscle and give ideas an opportunity to emerge. I took a long break from it and re-entry has been rough. I think in large part because I started selling some of the little paintings I made. Lots of them. That is on my mind now each time I start and I’m less inclined to try stuff. I feel all clenched up about whether or not I can sell what I make that day and If I don’t make a painting I can sell I feel like I have failed. I love making and selling the little paintings and I will keep doing that but I’m separating the daily practice.  Letting that just be a place for ideas and experiments.

sketchbook painting of a goat and mr. cups

And I’m using a sketchbook from now on ( I was using sheets of water color paper). This was the first week and I like it so far. The page in the book is a commitment, no starting over.

goat painting

I also like the idea of filling it up and making the practice more portable. I have lots of travel coming up and I’m determined not to take any more breaks. I’ll scale back on supplies when I’m traveling. I’m also making the commitment manageable, 30 minutes and one page every day.

ann wood sketchbook

I’ll post all this week’s pages here tomorrow.

momentum

Momentum is crucial, and when you’ve got it,  you’ve got it and when you don’t, you don’t. Lack of momentum is why the wheels come off most New Year’s resolutions by February, why projects get abandoned and ideas get filed permanently in the someday folder. I started this blog 12 years ago (officially in february) – my first official post was titled momentum because I felt like my creative life, my personal creative life was in the someday folder.

cardboard stampede

12 years later I still work hard to maintain my momentum and occasionally I lose it and find myself in the doldrums. It happens for lots of reasons, failures, discouragement, disappointments, obstacles or plain old fatigue but most often it’s because I’m feeling overwhelmed, overwhelmed with tasks, or choices or possibilities, overwhelmed with indecision, overwhelmed with all that isn’t done. When I lose it the only fix is action. Easy to say, so hard to do. Inertia is so heavy and oppressive, but there are a couple things I say to myself that do help when there is no wind in my sails:

it’s easier to keep going than to start

Just telling myself that helps immensely. And it means two things for me – it’s smart to make it part of my day to do things that keep momentum alive, basic things like structure and habits that support forward motion, even very small things, done consistently help a lot.  And when I do find myself dead in the water I need to take some small action (it can be really small) –  just start – bust out of the inertia. I posted a while ago about getting stuck and ways to get past it here.

my best work is ahead

I believe this and it saves me, I just need to remind myself once in a while. It makes me not quit and helps me live and act in uncertainty. It pushes me to let stuff go, take the next step  and try new things. I feel like I’ve barely gotten started and I’m so curious about what’s next, its a powerful reason to keep moving, to get through storms and doldrums, to see what’s around the next corner. If I quit I’ll never know.

try

note : I’ve been updating and reposting some of me big creative year posts from 2015. They are ideas that are very much on my mind as I start the new year. I’ve got big plans and apparently I find myself very inspiring. This is one of my favorites from the series.

so long 2017, mending sleeves and bold moves

contemporary holly hobby

ann wood : mending

Everything feels slow and still and there is lots to think about so I am mending. I love to mend, I love the thrift and economy and the meandering pace of it. I love how it looks and what it means, these are badges that tell you something about me.

ann wood : mending

contemporary holly hobby

While I patch my sleeves and collars and knees I’m thinking about the year past and my plans for the next. I’ve got big scary plans and I’ll tell you about them in a minute.  First I want to tell you a painful lesson I learned about attention.

A few years ago I sort of learned to ride a motorcycle.  Slow in the driveway. I was bad at it.  The most serious problem I had was driving into things: trees, houses, people etc. I googled the problem and found an answer, the fix was remarkably simple and easy:

To not look where I did not want to go.

I was so afraid of driving into the tree, the person, the house etc. that I focused on them and they pulled me like a magnet.  The result was awkward and painful. When I only looked where I wanted to go it was like magic.

Starting now I’m keeping my big plans in front of me. Looking where I want to go. Making myself focus on the big scary things I want to accomplish in 2018.  Everyday.  Keeping the big stuff in front and working backwards from there. The little stuff will align because it must.  I’ve been thinking a lot about what’s next.  Feeling around for it for a while.  This will be a year of change for me.  I want it to be and I want to make sure my plans don’t evaporate in distractions and busyness.  I’m going to give myself very clear, consistent and simple messages about what is important:

write the book

paint the paintings

move north

Pick yours and we will talk more about it next week.

I’ll leave you with one success and one failure from 2017.  First the success. The most popular pattern this year was the tiny rag doll and that is a happy and unexpected thing.  I love the idea of lots and lots these tiny bundled up ladies in the world.

tiny rag dolls

The failure was falling out of my sketchbook habit mid year.  I miss it and feel the lack of it in all my work.  I’ll resume my small, daily squares this  Sunday.

Thanks for showing up and I wish you a beautiful new year,
ann

my big creative year : audacious thinking

forest diorama

note : I first published this post in 2015.  As I’m making plans for the new year audacious thinking and big changes are on my mind, maybe they are on your mind too.

Thinking outrageously, hypothetically removing limitations and entertaining wild possibilities is a good creative exercise, a good thinking tool and I use it often to get unstuck or to work through an idea. But applying that kind of thinking to my life and work in a larger way has been difficult. This weekend I spent time thinking about this question:

What if I could do anything?

If money was no object, if there were no obstacles, no chance of failure or negative consequences – what would I do? I think truthful answers might be enlightening, there might be signposts and arrows among them but I find the question paralyzing.

I’ve never been good at thinking big about my life, my work, thinking audaciously. Big makes me nervous. And it seems to me that I endeavor in the other direction – so much of what I do, what I’m attracted to and what I create for myself is small, the world recreated at a more manageable and comfortable scale.

forest diorama

I find it hard to turn my practical brain off and I think a large part of me never wants to be caught with grand plans – a deeply ingrained belief that modesty is a virtue. I’m fortunate, one thing has led to another and all sorts of wonderful things I could not invent have occurred, it feels somehow ungrateful to reach and it is incredibly difficult and uncomfortable to really get my head around the question. My answers, my list, mostly doesn’t feel very audacious, it feels quite tentative in fact so I’m going to keep working on it – look harder. Getting myself to write anything at all was like pulling teeth, there were a couple surprises though – here’s what I’ve got so far:

I would paint and draw a great deal

I would learn to surf – nothing crazy- little waves

I would plant a garden

I would cook a lot

I would travel a little

I would wander a lot

I would take a hand built pottery class (that seems pretty do-able – I’m looking into it)

Actually – I would take lots of classes – I could fill the rest of my life with that

I would have dogs and cats and goats

I would make a picture book for children or maybe children and grownups

I would make dioramas

I would buy a very old house

I would swim often

I wonder if you ask yourself this sort of question – if you find resistance in your thinking or spectacular visions – I’m curious – if you feel like sharing please do.

margin – or, panic early

I first published this post more than two years ago. In all of my 11 years of blogging it is one of my favorites. It is also still my biggest struggle. I’m sharing it with you today for two reasons:

  1. For the first time in a long time I haven’t got a blog post this week. I’m occupied with filling orders, details for upcoming workshops and beginning to plan new classes and workshops for 2018 (including at least one in Europe…… stay tuned).
  2.  The message, the idea of margin, is one I need to hear and apply again and again but especially right now. It boils down to this – when there is certainly and officially too much to do – the only sensible thing is to decide to do less. Ideally before it gets decided for you.

I’m forcing myself into my high gear, last minute place, that magic spot where priorities are crystal clear and hard decisions get made easily. I’m forcing myself into that place a little early so the week before I leave to teach I’ll be one of those super chill prepared people. For the first time. Ever.

(This post was originally published April 2015 – I’ve updated with images of preparations for my natural history workshop)

Had I already mastered the idea of margin in my life I wouldn’t be editing this post 20 minutes before I need to publish it. But I have not mastered margin, not at all. Margin is the space between, the room left for error or chance, the cushion, and I rarely have any. I’m the guy hand making one more Christmas gift at 2 AM on the 24th, 10 year old me was adding glitter to my styrofoam ball planets on the bus to the science fair. It isn’t really about procrastination (although I’m great at that too) – it’s more – I see some space, some room and think “why not add something?! Why not make it better?! Let’s do both!”.  It is a kind of misguided enthusiasm – it’s hard to say no to something I’d love to do even when I know there isn’t enough time. It also comes from fear of lack – fear that the universe will find me ungrateful and opportunities will disappear, it’s living in fear, fear of scarcity. And I am a wishful thinker, I catch myself all the time planning for things to go perfectly, filling every possible moment with commitments, scheduling things back to back or overlapping. It feels like I’m being diligent, a hard worker, but I’m setting myself up to fail – when there is no room for error some little thing, like the printer breaking, can become a huge deal.

When you have margin you have options – so often in this life that I supposedly designed to afford choice I feel I have none. And I need to fix that. Fix it or miss out on my best work. Fix it or be swept along in the chaos – just reacting to emergencies.

I came across this article recently and for some reason it penetrated in a way that the idea just hasn’t before. It got my attention and it stuck with me and I understand something new: margin isn’t something that happens when things get magically better, it is a decision.

It’s a choice.

It’s a choice and a discipline, something you plan for. I don’t have a busyness problem I have a decision making problem.

It sounds simple – just plan for extra time  – but It means fighting against life long inclinations and habits, the temptation to fill every available minute is strong. My first move in the right direction is to figure out how to take one day a week completely off. Oh boy. My current situation is so far away from that I can barely get my head around the idea and at this point I think it’s going to take a while to make it happen. I’m hoping for progress, not perfection, for improvement, some sense that this is attainable for me.

So much of the new stuff I’m trying is working but I think this one issue is the lynch pin, the biggest obstacle, the thing between me and real improvement in my work and my life.

are you spinning your wheels on something? chunk it

hand stitched bat

hand stitched bat

Take my word for it – I’m an expert at being super busy without really accomplishing much.

I don’t know if it’s a seasonal shift or anxiety about how much I’ve got to do right now but I’ve been waking up super early – 5-ish.  Man, those early hours are good. And quiet. I’ve been devoting them to things that have been getting away from me – mostly sewing patterns and kits. It’s amazing  how much is getting done in those small, early chunks of time.

I do so much better – daily schedule-wise –  when I assign blocks of time instead of tasks – it’s all still guided by the big list but it’s way harder to procrastinate and avoid stuff if the commitment is a chunk of time.  It’s also easier to start – less intimidating and once I get passed starting I usually get interested – even in the really dreaded stuff like accounting or editing.

It’s effective  because I always – ALWAYS – overestimate what I can do in a day but usually  underestimate what I can do in an hour. Lately by 8 am after a couple chunks of time devoted to creating pattern documents or illustrations I’m feeling pretty good about what’s done and start my other work with less distraction.

You can read more about all the ways I trick myself into being productive here and here.

the positive snowball effect of finishing things and a new workshop

ann wood

It’s such a mistake to let too many unfinished projects pile up. The weight of all that isn’t done can really mess with a person’s momentum and momentum is key.  When it happens the only way through is to start finishing things – one at a time. This week I’ve been finishing stuff – big stuff and little stuff. A wooly edwardian owl was the first – he was nearly there so it was an easy win.

hand stitched owl

He’ll be in the shop next week with some songbirds and other creatures – you can sign up here if you would like an email notification when the new things are available.

Crossing just one thing off the list makes a huge difference, the shift is instant and it’s easier to tackle the next – as each task is completed momentum starts to snowball and replace the self perpetuating overwhelmed and stuck feelings.  My next project was finishing up my improvisational doll experiments – also lingering in “all most done”.

handmade dolls

handmade soldier doll

He stepped right out of a Jane Austen novel, one of her steady hearted colonels. I love him. And he is excellent at guarding books.

A large project got finished too,  creating a new workshop for this September.  Come see me in Boulder!

ann wood

That’s me – in my middle aged art lady uniform. The linen smock (by Cal Patch) really is my uniform – if you run in to me in Brooklyn or come to Colorado there’s a pretty solid chance I’ll have it on. This is my first 3 day workshop ever and it’s presented by the Makerie  September 22nd through the 24th.  3 days to explore something with a small group sounds marvelous. The title of the work shop is Natural History.

little fly

I can share all the details with you next week and registration will open then too. For now I’ll leave you with this very little fly I made to bring to Boulder with me.

deliberate daydreaming

deliberate daydreaming

deliberate daydreaming

Wouldn’t it be nice to have it all at your command, to be able to summon deep focus, motivation and drive, ingenuity, and sparkling original ideas as needed or desired.  But our minds don’t work like that. Our minds do what they like and so often just the opposite of what we’re looking for.  Practice, training and attention help though and I’m always on the look out for ways to improve – stuff to try – ways to reach the deepest parts of my imagination and creativity.

Something I have come across a lot is the idea of alternating focused work with distraction in an intentional way – one example is The  Mac Gyver Method – which I love and use all the time.

And Earnest Hemingway talks about the value of letting things percolate in The Movable Feast :

“It was in that room too that I learned not to think about anything that I was writing from the time I stopped writing until I started again the next day. That way my subconscious would be working on it and at the same time I would be listening to other people and noticing everything.”

Last week I heard the term “deliberate day dreaming” for the first time In this podcast episode  (If you are curious about why your brain does what it does you will particularly enjoy this episode).  I even like the sound of it – deliberate daydreaming – I like the idea of an intentional, daily invitation to let your mind meander and watch where it goes.

My mind wanders off all the time without permission – especially while I’m doing pleasantly (for me) repetitive tasks. I think it’s part of what attracts me to things like hand sewing and paper mache.

tiny rag doll

So I wonder what the effect of intention and daily practice will be. I’m test driving the idea for the next month – devoting 10 minutes everyday to “deliberate daydreaming”.  I will let you know how it goes and if you feel like experimenting with me I’d love to hear about it.

curating, focusing and finding your voice : practice every day

sketchbook work

I consume tons of information – often via podcasts while stitching – a lot of it around creativity – and some around business and marketing – they often overlap and intertwine. There is a lot of discussion and advice, especially lately, around finding your voice, curating and focusing.

I have struggled with all three – especially the focus and curating. I’m all over the place and I think there is validity to the argument that it’s easier to make progress if you focus your efforts narrowly. For example – I know I could grow the sewing and craft pattern business – my newest venture – much faster if I focused solely on that. Maybe I should. I also know there is a lot more to explore and experiment with in my own stitch-work and I could sink into that exclusively. Or I could dive deeply into painting and drawing – It would be an adventure and I would love to spend a bunch of time working out exactly who I am and what I want to express in that.  And there is the question of what to share publicly – is it smarter to only present one sort of work? I feel the conflict – the conflict of posting work that I can imagine seems out of place or for a different audience. I’ve considered and am considering possible changes and solutions – like having separate homes for the different kinds of work I do. A home devoted exclusively to the craftier end and another home for projects that are more experimental – I love both and don’t want to stop sharing either. It sounds reasonable and I’m not ruling it out but I can’t imagine running two sites – the time and expense and also I immediately see places where the two would overlap – for me it is all deeply connected.  I remain puzzled and conflicted.

I hoped that the work and exploration I did last year ( My Big Creative Year series) would somehow work this out for me but it didn’t. Something did emerge though – maybe the beginning of some clarity through the daily sketchbook work. I recently passed the one year mark – 52 weeks – what I committed to – but it’s been so good for me I decided to keep going. It has not been at all convenient but it has been undeniably good for my creativity and imagination. If you can find and commit to a little space each day to play, to listen to yourself (on the good days and the bad days) and experiment interesting things will happen.

sketchbook work

That relatively small daily practice of showing up began to reveal things to me after about 9 months – I began, or really am beginning to recognize my own voice in that medium, a voice that feels natural to me. Themes, imagery and a vocabulary are emerging as well as a sense of what I’m attracted to and what my strengths and weaknesses are.

sketchbook favorites

When I went through my big stack of little squares (it weighs  3 and 1/2 pounds!) I saw that many of the ones I like best, the things that felt the best to me felt connected to the other work I do. I couldn’t quite articulate how though. And then – while packing and shipping paper flamingos I addressed a box to someone who lives on Fable Lane. I thought – what a charming address to have – I bet Fable Lane is lovely.

fortuny fox

The word kept popping back into my mind and it occurred to me it’s a common thread in so much of what I have done – for the last ten years especially – the idea of fable – all the meaning and sensation that word conjures. I think it’s something to explore intentionally – I’m not sure exactly how yet but the idea of investigating that passes the first test – I’m having some ideas that make me happy and curious. More on this soon.